Sun Salutation: A Living Journey Through Breath, Movement, and Light

INTRODUCTION

The practice of Yoga Pose Sun Salutation, traditionally known as Surya Namaskar, unfolds like a quiet conversation between the body and the rising sun. It is not a single pose but a flowing sequence, a rhythmic cycle of movement and breath that warms the muscles, steadies the mind, and awakens inner energy. As the spine bends and lengthens, as palms press and feet root into the earth, the practitioner moves through a complete embodiment of yoga—strength and softness, effort and surrender, stillness and motion.

Sun Salutation is often practiced at dawn, when the air feels cool and expectant. Each posture transitions seamlessly into the next, creating a moving meditation that honors the sun as a source of life and vitality. What follows is not just a description of poses, but a lived experience of each moment in the Sun Salutation yoga sequence.

Mountain Pose (Tadasana): The Beginning of Stillness

The sequence begins in Mountain Pose, where the body stands tall and alert. Feet press evenly into the mat, toes spreading as if tasting the ground. 

The legs engage gently, drawing upward, while the spine lengthens as though lifted by an invisible thread. Arms rest by the sides, fingers relaxed, shoulders melting down the back.

The breath deepens here. In this quiet stance, awareness gathers. The body feels grounded yet light, stable yet ready to move. This moment of stillness becomes the anchor from which the entire Sun Salutation flows.

Upward Salute (Urdhva Hastasana): Reaching for the Light

With an inhale, the arms sweep upward into Upward Salute. The chest opens like a window, ribs expanding as breath pours in. 

Palms face one another or gently touch overhead, and the gaze lifts, following the hands toward the sky.

There is a subtle arch in the upper back, a feeling of reaching without strain. 

The body seems to stretch toward warmth and possibility, embodying the act of greeting the sun. Energy rises, flowing upward through the spine.

Standing Forward Fold (Uttanasana): Folding Inward

Exhaling, the body pours forward into Standing Forward Fold

The spine cascades down, vertebra by vertebra, until the head hangs heavy toward the earth. 

Hamstrings lengthen, the back of the body opening like a curtain being drawn aside.

Blood rushes gently to the head, and the breath softens. 

Here, the posture feels introspective. The world narrows, and attention turns inward. Hands brush the mat, calves, or ankles, wherever the body naturally settles.

Halfway Lift (Ardha Uttanasana): Creating Space

On the next inhale, the torso lifts halfway into Halfway Lift

The spine stretches long and flat, parallel to the floor. 

Hands rest on shins or thighs, offering support. The crown of the head reaches forward, and the heart moves ahead of the shoulders.

There is clarity in this pose—a moment of suspension. 

The body feels organized, alert, and balanced between grounding and rising. Breath flows smoothly, creating spaciousness in the chest and back.

Plank Pose: The Fire of Strength

With a steady exhale, the hands plant firmly as the feet step back into Plank Pose

The body forms a straight line from heels to head, strong and unwavering. 

The core ignites, arms pressing into the mat, shoulders stable and broad.

Heat builds here. 

The pose demands presence and effort, yet there is a quiet confidence in holding steady. Breath remains controlled, reminding the practitioner that strength does not require tension.

Chaturanga Dandasana: The Descent of Control

Lowering halfway down, the elbows hug the ribs in Chaturanga Dandasana

The body hovers close to the mat, suspended by arm strength and core engagement. 

Muscles tremble slightly, alive with effort.

This pose feels like a threshold—a moment of transition that teaches discipline and mindful movement. 

It is brief but potent, requiring respect for alignment and inner awareness.

Upward-Facing Dog (Urdhva Mukha Svanasana): Opening the Heart

Inhaling, the chest glides forward and up into Upward-Facing Dog

Thighs lift away from the mat, arms straighten, and the tops of the feet press down. 

The spine curves deeply as the heart lifts toward the sky.

The front of the body opens wide, as if absorbing light. Breath expands fully, and the face softens. 

This posture feels expressive and generous, counterbalancing the effort that came before.

Downward-Facing Dog.
Downward-Facing Dog (Adho Mukha Svanasana): Returning Home

With a long exhale, the hips lift high into Downward-Facing Dog

The body forms an inverted “V,” heels reaching toward the mat, fingers spread wide. The spine lengthens, shoulders releasing away from the ears.

This pose feels like a return to center. Breath settles into a steady rhythm, washing through the body. 

Muscles stretch and strengthen simultaneously, creating a sense of spacious stability. Here, the practitioner pauses, allowing the effects of the sequence to integrate.

Halfway Lift Revisited: Awakening Again

Stepping forward, the body returns to Halfway Lift. The spine extends, breath lifts the chest, and the gaze moves forward. The repetition feels familiar yet new, as if the body recognizes the path but experiences it more deeply.

Standing Forward Fold Revisited: Surrendering Once More

Exhaling, the body melts again into Standing Forward Fold. This time, the fold feels more open, more receptive. Tension drains downward, and the breath becomes soft and unforced.

Upward Salute Revisited: Rising with Intention

Inhaling, the arms sweep wide and rise into Upward Salute once more. The movement feels fluid and confident, fueled by the warmth generated throughout the sequence. The chest opens, the spine lengthens, and energy lifts.

Mountain Pose: Completing the Cycle

Exhaling, the hands return to the heart or rest by the sides in Mountain Pose. The body stands quietly, yet everything feels different. Heat hums beneath the skin. Breath flows freely. Awareness feels expanded.

This completes one full round of Sun Salutation yoga, a circular journey that ends where it began—grounded, upright, and alive.

The Living Essence of Sun Salutation

The beauty of Yoga Pose Sun Salutation lies not only in its physical benefits—improved flexibility, strength, circulation, and posture—but in its ability to tell a story through movement. Each pose flows into the next like verses in a poem, guided by breath and intention.

Practiced daily, Sun Salutation becomes more than exercise. It becomes a ritual of awakening, a way to greet the day with presence and vitality. Through showing rather than telling, the body learns what balance feels like, what effort teaches, and how surrender restores.

In every rise and fold, every inhale and exhale, Sun Salutation reminds us that yoga is not about reaching perfection—it is about experiencing the moment fully, one breath at a time.

All the above images were generated  by ChatGPT (OpenAI).


Yoga Teaching of Tibetan Monks

 

Tibetan Monks: A Living Discipline of Breath, Body, and Awareness

Before dawn breaks over the Himalayas, the monastery courtyard is already awake. Frost clings to the stone tiles, and the thin mountain air carries the low hum of chanting monks. 

Wrapped in maroon robes, they move slowly at first—arms rising, torsos turning, breath threading through each motion like an invisible cord. 

This is Yoa as taught by Tibetan monks, not a performance and not an exercise, but a living transmission shaped by centuries of devotion, discipline, and direct experience.

The Silent Language of Movement

A young monk stands barefoot on cold ground. His feet press firmly into the earth, toes spreading as if listening. When his arms lift, they do not strain; they float, guided by breath rather than muscle. His teacher watches without interruption, eyes soft, hands hidden inside his sleeves. In Yoa teaching, correction often comes not through words but through presence. A slight tilt of the head, a pause in breathing, a shared stillness—these are the instructions.

Unlike modern fitness-based yoga, Yoa in the Tibetan monastic tradition unfolds as a dialogue between body and awareness. Each posture is less a shape than a state. The monks are not trying to achieve flexibility; they are cultivating sensitivity. Breath expands, contracts, and dissolves into silence, teaching the body how to listen.

Where Breath Becomes Prayer

In the high-altitude stillness, breath is precious. Every inhale is felt. Every exhale is released with intention. Tibetan monks teach Yoga as a discipline where breathing is not counted but inhabited

The chest opens like a window. The belly softens. The spine aligns as though drawn upward by a thread tied to the sky.

A senior monk demonstrates a sequence slowly. His movements seem ordinary until one notices how the breath leads and the body follows. 

In Yoga teaching, breath is not a tool—it is a teacher. Students learn by sensing how breath carries attention into hidden tensions, how it melts resistance, how it reveals the restless mind.

The room smells faintly of butter lamps and incense. As breath deepens, the mind settles, not because it is forced to be calm, but because it has nowhere else to go.

The Monastic Rhythm of Practice

Yoga teaching among Tibetan monks does not occur in isolation. It is woven into the rhythm of monastic life. Practice follows chanting, study, and meditation, acting as a bridge between stillness and activity. 

After hours of seated contemplation, the body awakens through Yoa, shaking loose what silence has uncovered.

In the monastery hall, rows of monks move in unison. Robes sway like slow-moving waves. The sound of synchronized breathing fills the space, louder than footsteps, softer than prayer. There is no mirror, no comparison. Each monk turns inward, learning from sensation rather than reflection.

Here, Yoa is not about personal expression. It is about alignment—with breath, with awareness, with the lineage that flows quietly through every movement.

Teaching Without Ownership

A defining feature of Tibetan Yoa teaching is the absence of ownership. Teachers do not claim authorship of techniques. They pass on what they received, as one might pass along a flame without diminishing it. Instruction is given sparingly, often after long periods of observation.

A teacher may wait weeks before correcting a student’s posture. When the moment comes, it is simple: a hand placed lightly on the back, a whispered word, a shared breath. The student adjusts, not just physically, but internally. Understanding arrives through experience, not explanation.

This approach reflects a deeper philosophy. Yoga is not something to master. It is something to enter. The monks teach by creating conditions in which insight can arise naturally.

The Body as a Mandala

As practice deepens, the body is no longer felt as solid or separate. Tibetan monks describe it as a mandala—a sacred landscape of channels, winds, and awareness. Yoga teaching gently introduces this view through felt experience rather than doctrine.

During a twisting movement, a monk senses warmth spiral up the spine. In a forward fold, thoughts loosen and drift away. In stillness, breath dissolves into spaciousness. These moments are not analyzed; they are recognized. The body becomes a site of discovery rather than control.

Yoa teaches that awakening is not elsewhere. It unfolds within muscle and bone, breath and balance, effort and release.

Discipline Tempered by Compassion

The training is rigorous. Monks rise early, practice daily, and repeat sequences until familiarity becomes intimacy. Yet the discipline is softened by compassion. Pain is not ignored, but neither is it dramatized. Students are taught to distinguish discomfort from harm, effort from aggression.

A teacher’s voice, calm and steady, reminds them to ease the breath when strain appears. In Yoa teaching, kindness toward the body is not indulgence—it is wisdom. A tense body cannot perceive subtle truth.

Over time, strength emerges quietly. Flexibility appears without being chased. What grows most visibly is steadiness—the ability to remain present regardless of sensation.

Yoga as Preparation for Insight

In Tibetan monasteries, Yoa is often practiced as preparation for advanced meditation. A body that can sit comfortably and breathe freely becomes a stable ground for insight. When joints are open and energy flows smoothly, the mind has fewer excuses to wander.

After Yoga practice, monks sit. Stillness arrives more easily. Thoughts rise and fall like distant clouds. The body feels transparent, supportive rather than demanding. In this way, Yoga teaching serves enlightenment not as a goal, but as a natural consequence of balance.

The movements fade, but their echo remains in the spine, in the breath, in the quiet confidence of posture.

A Living Tradition in a Modern World

Today, the yoga teaching of Tibetan monks is slowly reaching beyond monastery walls. Yet its essence resists simplification. It cannot be reduced to poses or sequences. Its power lies in context, intention, and transmission.

When monks teach Yoga to lay practitioners, they do so carefully, emphasizing presence over performance. They invite students to slow down, to feel rather than achieve. In a world obsessed with speed and results, Yoa offers something radical: patience.

The practice asks only one thing—to be fully where the body already is.

Conclusion: The Unspoken Teaching

As the sun rises higher, the monastery courtyard grows warm. Practice ends without ceremony. The monks bow slightly, roll up their mats, and return to daily tasks. Yet something lingers—a quiet clarity, a grounded ease, a sense that body and mind are no longer in conflict.

This is the heart of Yoa teaching as preserved by Tibetan monks. It is not an idea to be understood but an experience to be lived. It shows itself in the way a monk walks, breathes, listens. In the way stillness moves, and movement becomes prayer.

Yoa does not announce itself. It reveals itself—slowly, patiently, breath by breath. 

All the images are generated by ChatGPT.

Yoga Teaching of Ramana Maharshi: A Silent Path to Self-Realization

Ramana Maharshi {{PD-US}} 
G. G. Welling, Public domain,
via Wikimedia Commons
INTRODUCTION

At dawn on Arunachala Hill, the mountain breathes before the sun appears. The stone steps are cool under bare feet, and the air carries the scent of dust and jasmine. 

In a small hall at the base of the hill, a man sits unmoving, his gaze neither fixed nor wandering. There is no instruction, no posture, no chant. 

Yet something unmistakable happens in the stillness. This is the yoga of Ramana Maharshi—not practiced, but revealed.

Yoga Without Posture

Visitors arrived expecting techniques. They had come from Europe, from Bengal, from distant villages, carrying questions about breath control, chakras, and mantras. They found instead a man wrapped in silence. Ramana Maharshi did not demonstrate asanas or prescribe pranayama. He sat, often motionless for hours, as if the body itself had forgotten it was being inhabited.

And yet, those who sat near him felt their breath soften, their thoughts slow, their sense of “I” begin to loosen. Yoga, in his presence, was not something done. It was something that happened.

This was jnana yoga, the yoga of knowledge—not intellectual knowledge, but direct recognition. Ramana Maharshi’s teaching did not add anything to the seeker. It removed what was false.

The Moment of Awakening

At sixteen, Ramana was not searching for enlightenment. One afternoon, alone in his uncle’s house, an overwhelming fear of death seized him. Instead of fleeing it, he lay down and watched. He watched the body grow still, the breath stop, the limbs become rigid. Then he asked—without words—If this body is dead, what remains aware?

In that instant, something irreversible occurred. Awareness stood alone, untouched by the imagined death. The boy who would become Ramana Maharshi discovered the Self not through discipline, but through fearless attention.

That moment became the axis of his yoga teaching.

Self-Inquiry as Living Yoga

Ramana Maharshi did not call his path “yoga” in the conventional sense. But seekers soon understood that self-inquiry (atma vichara) was yoga in its most distilled form. Instead of controlling the mind, he asked students to trace it.

When a thought arose, he would quietly suggest: To whom does this thought occur? The answer came: To me. Then the next question: Who am I?

This was not meant as a philosophical exercise. Sitting in the ashram hall, with flies buzzing and devotees coughing, seekers tried it. A worry about money appeared. To whom? A memory surfaced. To whom? Each time, the attention turned back—not to an idea of the self, but to the felt sense of “I.”

Over time, that “I” dissolved like mist under sunlight.

This was yoga not as effort, but as abidance.

The Body Left to Itself

Unlike many yogic systems, Ramana Maharshi did not reject the body—but he did not center it. His own body bore scars: burns from cooking fires, untreated illnesses, a cancer that eventually consumed it. He watched it all with the same calm curiosity he offered his thoughts.

Devotees were disturbed by his indifference to pain. He was not demonstrating endurance; he simply did not identify with the sensations. In this, his teaching showed itself wordlessly: freedom is not the absence of pain, but the absence of identification.

Yoga, in this light, was not about perfect health or longevity. It was about seeing the body as an appearance in awareness, no more defined than a passing cloud.

Silence as Transmission

Often, visitors left disappointed. Ramana Maharshi answered few questions and spoke even less. But others left transformed, unable to explain what had happened.

Sitting before him, minds slowed. Thoughts lost urgency. The usual inner narration—I am this, I must become that—fell quiet. His silence was not empty; it was saturated.

This silence became one of the most powerful expressions of his yoga teaching. It suggested that truth is not conveyed through instruction but caught through presence.

In yogic terms, this was sahaja samadhi—natural, effortless absorption. Not attained in meditation and lost afterward, but woven into ordinary life.

Renunciation Without Escape

Though he lived simply, Ramana Maharshi did not promote outer renunciation. Household devotees came daily, carrying children and responsibilities. He did not ask them to leave the world.

“Where can you go?” he once asked gently. “The mind goes with you.”

Yoga, as he lived it, was not withdrawal but clarity—seeing the world without clinging. He milked cows, chopped vegetables, joked with devotees. Enlightenment, in his presence, wore no special costume.

This grounded simplicity made his teaching radical. It stripped yoga of its exoticism and returned it to its essence: freedom from misidentification.

Beyond Techniques, Toward Truth

Modern yoga often emphasizes improvement—greater flexibility, better focus, emotional balance. Ramana Maharshi pointed somewhere else entirely. He asked: Who is seeking improvement?

In his teaching, yoga was not a means to become a better person. It was the end of the false person altogether. This did not result in detachment or coldness, but in a quiet compassion that required no performance.

Visitors noted how animals trusted him. Peacocks wandered into the ashram. Monkeys sat nearby without fear. In his presence, even restless minds felt recognized.

The Living Legacy

Today, Arunachala still stands, unchanged. The ashram remains, though Ramana Maharshi’s body was laid to rest decades ago. Yet seekers continue to sit, often saying little, feeling something subtle align.

His yoga teaching endures not as a system, but as an invitation: to turn attention inward, to question the assumed self, and to rest in what remains when effort ceases.

There is no promise of visions or powers. There is only the quiet recognition that what you are seeking is already present—aware, silent, untouched.

And like the mountain at dawn, it does not announce itself. It simply is.